{"id":1519,"date":"2018-12-18T20:53:32","date_gmt":"2018-12-18T20:53:32","guid":{"rendered":"http:\/\/blogs.clemson.edu\/press\/?p=1519"},"modified":"2018-12-18T20:53:32","modified_gmt":"2018-12-18T20:53:32","slug":"two-clemson-books-reviewed-in-american-literary-realism","status":"publish","type":"post","link":"https:\/\/libraries.clemson.edu\/press\/2018\/12\/18\/two-clemson-books-reviewed-in-american-literary-realism\/","title":{"rendered":"Two Clemson Books Reviewed in \u201cAmerican Literary Realism\u201d"},"content":{"rendered":"<p>The current issue of <em>American Literary Realism<\/em> features two reviews of recent Clemson books: Donald Pizer\u2019s\u00a0<em>Theodore Dreiser Recalled\u00a0<\/em>and Donald Pizer, Lisa Nanney, and Richard Layman&#8217;s <em>The Paintings and Drawings of John Dos Passos<\/em>.<\/p>\n<p>On <em>Theodore Dreiser Recalled<\/em>, Clare Eby opines: &#8220;The book is actually riveting reading because the continually changing perspectives on Dreiser from different subject positions convey a dynamic and complex personality. . . . <em>Theodore Dreiser Recalled<\/em> is best read in book reviewer fashion, cover to cover.&#8221;<\/p>\n<p>Writing on <em>The Paintings and Drawings of John Dos Passos<\/em>, Elizabeth Petrino finds &#8220;a substantive discussion of the artistic influences&#8221; on Dos Passos that &#8220;tantalize[s] the reader to speculate about other late-nineteenth-century and early-twentieth-century writers whose interest in the visual arts may still be undiscovered.&#8221;<\/p>\n<p>Read more on <em>American Literary Realism<\/em> and learn how to subscribe <a href=\"https:\/\/www.press.uillinois.edu\/journals\/alr.html\">here<\/a>.<\/p>\n<p>&nbsp;<\/p>","protected":false},"excerpt":{"rendered":"<p>Donald Pizer\u2019s &#8220;Theodore Dreiser Recalled&#8221; and Donald Pizer, Lisa Nanney, and Richard Layman&#8217;s &#8220;The Paintings and Drawings of John Dos Passos&#8221; garner high praise.<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[7],"tags":[],"class_list":["post-1519","post","type-post","status-publish","format-standard","hentry","category-news"],"acf":[],"_links":{"self":[{"href":"https:\/\/libraries.clemson.edu\/press\/wp-json\/wp\/v2\/posts\/1519","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/libraries.clemson.edu\/press\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/libraries.clemson.edu\/press\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/libraries.clemson.edu\/press\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/libraries.clemson.edu\/press\/wp-json\/wp\/v2\/comments?post=1519"}],"version-history":[{"count":0,"href":"https:\/\/libraries.clemson.edu\/press\/wp-json\/wp\/v2\/posts\/1519\/revisions"}],"wp:attachment":[{"href":"https:\/\/libraries.clemson.edu\/press\/wp-json\/wp\/v2\/media?parent=1519"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/libraries.clemson.edu\/press\/wp-json\/wp\/v2\/categories?post=1519"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/libraries.clemson.edu\/press\/wp-json\/wp\/v2\/tags?post=1519"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}